TheOdetoSpring Group Exhibition
《春盤賦》聯展
時 間⼁ 2024.03.02(六)-03.23(六)
(11:00 -19:00,每週日、一休館)
藝 術 家⼁ 廖繼春、顏水龍、李石樵、郭雪湖、龎均、葉子奇、潘鈺、潘信華、齊簡、林宏信、林浩白、陳于安、莊道明
展出地點⼁ 日升月鴻畫廊(台北市大安區仁愛路四段 115 號 1 樓)

“TheOdetoSpring”For individuals, spring marks the beginning of annual planning, as the lush greenery of plants and blooming flowers symbolize the rejuvenation and vitality of all existence. Ancient traditions include consuming "spring dishes," a selection of pungent vegetables, on the first day of spring to welcome the new year, and now we continue this tradition with the beauty of flowers. Flowers symbolize the prosperity of life; they are a beautiful emblem of hope and renewal, as well as a spiritual refuge during moments of seeking tranquility. Throughout history, flowers have been celebrated in literature and art. In Western art history, we admire Vincent van Gogh's series of sunflowers and Claude Monet's enchanting water lilies. In Chinese art, we appreciate the refined and serene floral works by San Yu, infused with Eastern philosophical thoughts, and Lin Feng Mian's ink paintings capturing the elegance and poetic essence of flowers. Artists express their love for flowers, praise them, and paint them, conveying their emotions through flowers, which are then reflected in their artwork. In the realm of still life art, the essence of blooming flowers captured on canvas immortalizes the beauty and vitality of nature. While flowers may have their fleeting blooming season, their eternal splendor in paintings transcends time. Within expressive artworks, flowers serve as conduits for artists' emotions, granting them the freedom to paint akin to the growth of branches and leaves without restraint. Through our group exhibition, we aim to welcome the new year with spring blossoms amidst the chaos of the world, inviting viewers to engage in a dialogue between past and present within each art piece and to appreciate life's small yet exquisite wonders together. Commencing the new year with such beauty, we anticipate a year filled with prosperity. This exhibition will bring together different media such as oil painting, acrylic, and ink to present various aspects of flowers.

《春盤賦》 對於人們而言「一年之計在於春」,而植物、花卉於春天之際的新綠, 最能夠代表萬物的復甦與生意。「春盤」是古時人們在元旦立春之時, 食用五種帶有辛味的蔬菜,來迎接新春。而在唐朝歐陽詹所著的【春盤 賦】中,春盤則是藉花卉來表現,讓春天的蓬勃意象供賓客來慶賀一年 之始,以花頌春。其中歐陽詹寫道:「多事佳人假盤盂而作地,疏綺繡 以為珍,叢林具秀,百卉爭新,一本一枝,協陶甄之妙,致片花片蕊, 得造化之神。」當時唐代女性用華麗的絲織品做出鮮艷的花卉,並將其 接到假花枝上,插在盤中,製造出滿盤春色,在立春這天,把這個「春 盤」陳設在宴席上,以供來賓欣賞。 花朵象徵著生命的繁盛,是美麗的象徵;是希望和重生;也是追求寧靜之時的精神性寄託。古今中外,花以文學、藝術等方式被讚揚。西洋藝術史裡有梵谷一幅幅的向日葵靜物;有莫內筆下那一片醉人的睡蓮池。而在華人畫壇裡,有常玉精煉、幽靜帶有東方哲思的花卉作品;有林風眠以水墨畫「計黑當白」的概念來描繪出花的清貴與詩意。藝術家愛花、頌花而畫花,將心境寄託於花,再轉映於畫。在花卉靜物畫中,花朵綻放的姿態透過藝術家的捕捉,讓這樣的景緻凝結於畫布之上,雖然花有花期,但是其盛開的樣貌在繪畫裡是恆久的美麗。而在寫意的繪畫裡,花卉是藝術家抒情的媒介,下筆不受拘束,有著如枝枒生長的自由。此次聯展,我們希冀在嘈雜的世界中,在一年之初,透過花卉迎新,在每一件作品裡感受彼時與此刻的時空交流,邀請觀者一起注視生活周遭渺小但美麗的事物,在新的年歲以美的事物作為開端,期許一整年的繁盛與芬芳。 本次展覽將集結油畫、膠彩以及水墨等不同媒材來呈現花的百態,包含 廖繼春、顏水龍、李石樵、郭雪湖、龎均、葉子奇、潘鈺、潘信華、齊 簡、林宏信、林浩白、陳于安、莊道明等藝術家。


Lin Hao Bai Exhibition Artworks | 展出作品

Splendid Light No. 17 | 韶光No. 17
Oil on linen mounted on panel | 油彩木板裱麻
124 x 102 cm | 2024


Behined the scenes photos | 花絮